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Bride Wars Magyar cím (Korhatár): Bride Wars (12E) Bride Wars Eredeti cím: Bride Wars Bride Wars Műfaj: Comedy, Romance Játékidő / Technikai információ: – perc Bride Wars Mozipremier : 3 December 19 8 2 Bride Wars Forgatókönyvíró: Arnon Milchan, Ed Shearmur, Frederick Elmes, John A. Machione, Jonathan Filley, Jonathan Filley, Dan Leigh, Kate Hudson, Gary Winick, Linda Cohen Bride Wars Filmstúdió: Fox 2000 Pictures, Regency Enterprises, New Regency Pictures, Biride Productions, Dune Entertainment, Dune Entertainment III Bride Wars szereplők : Kate Hudson, Anne Hathaway, Bryan Greenberg, Chris Pratt, Steve Howey, Candice Bergen, Kristen Johnston, Michael Arden, Victor Slezak, Kelly Coffield Park
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Zombieland: Double Tap online videa 2019 Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family. Miért a legtöbb ember rossz nézni Zombieland: Double Tap? Könnyen methode nézni Zombieland: Double Tap teljes film online ingyen. Ez az oldal a legjobb hely nézni Zombieland: Double Tap interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.
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Zombieland: Double Tap Magyar cím (Korhatár): Zombieland: Double Tap (12E) Zombieland: Double Tap Eredeti cím: Zombieland: Double Tap Zombieland: Double Tap Műfaj: Horror, Action, Comedy Játékidő / Technikai információ: – perc Zombieland: Double Tap Mozipremier : 17 June 19 7 3 Zombieland: Double Tap Forgatókönyvíró: John Papsidera, K.C. Hodenfield, Rhett Reese, Rhett Reese, Rhett Reese, Robert Fechtman, Christine Wada, Jeong Jeong-hun, Kami Asgar, Gavin Polone Zombieland: Double Tap Filmstúdió: Pariah, Columbia Pictures, 2.0 Entertainment Zombieland: Double Tap szereplők : Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin, Rosario Dawson, Zoey Deutch, Luke Wilson, Avan Jogia, Thomas Middleditch, Victoria Hall
Zombieland: Double Tap videa film letöltés 2019 néz online 4k Zombieland: Double Tap 2019 Teljes Film Online Magyarul Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family. Zombieland: Double Tap streaming film online teljes hd Zombieland: Double Tap 2019 review Even with its flaws, ‘Zombieland: Double Tap’ doesn’t overstay its welcome with its 99-minute run time, and remains a solid piece of popcorn entertainment. Although it doesn’t push any boundaries, it’s harmless fun (the Homer zombie of horror films, if you will... that’ll make more sense after you’ve seen it). So stumble into a cinema and join these friends on a reunion - sure, one filled with endless blood, guts and brains, but that’s half the fun of a zombie comedy, right? - Charlie David Page
Read Charlie's full article... https://www.maketheswitch.com.au/article/review-zombieland-double-tap-the-gangs-back-for-a-brainless-zombie-comedy-sequel If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
As you probably know by now, since I posted the original film's review a few hours ago, I loved the first Zombieland. I defend that it's a zombie cult classic, and I was genuinely pumped for its sequel. It didn't go through any external controversy (something quite rare nowadays), the cast didn't say anything wrong in the interviews (haters didn't have enough words to twist this time around), Ruben Fleischer returns as the director, as well as Rhett Reese and Paul Wernick (plus a new member, Dave Callaham) as the screenwriters. If a studio wants to do a 10-year sequel, it might as well get the creators and original cast back together, right?!
That's what I love the most about Double Tap. It didn't lose the original's essence, and it didn't forget what made it so successful. The cast's chemistry can be felt thousands of miles away, but the new additions also fit in seamlessly. Zoey Deutch portrays Madison, a purposefully stereotypical "dumb blonde girl" who has some of the funniest scenes as well as some of the most cringe-worthy (Deutch gives an excellent performance, though). And Rosario Dawson plays Nevada, basically a women version of Tallahassee (Woody Harrelson), which means she has a bunch of badass action sequences. As for the old gang, well…
Everyone delivers great performances, but this time, Harrelson really elevated his character. Not only does he have the expected awesome kickass moments, but he also offers some emotionally compelling displays. Emma Stone (Wichita) and Abigail Breslin (Little Rock) keep being amazing as their characters, and Jesse Eisenberg (Columbus) does get a bit too … Jesse Eisenberg, but it never stops feeling natural, having in mind how his character acts. These four are the heart of the whole show. Hence, getting the original cast back together is halfway through success, even more than in the first movie. Story-wise is where I do have some complaints, unfortunately.
Maybe it's due to the fact that I watched 2009's Zombieland just a couple of hours before Double Tap's screening, but I wish that Fleischer and his team were more creative. Sure, the original was 10 years ago, and not everyone is going to rewatch the original (especially not right before), so it's expected that a lot of classic moments are recreated in some shape or form. However, for an extended period, I felt that I was watching the exact same film, just with older characters. I know I'm going to hear some of Columbus' original famous rules, but there's a surprising lack of new ones. I know Tal is going to repeat some of his catchphrases, but he's an imaginative guy, he can think of fresh ones (which he does say in the last minutes, but still).
To move the plot forward or actually make the story happen, a lot of questionable things occur, and not in the sense of them not being rational (it's not like Zombieland is a groundbreaking piece of storytelling). It's the apparent lack of character development through all of the years that have passed, and I'm not addressing their personalities being the same (it's pretty normal). To create this movie, characters make decisions that don't feel right, having in mind they spent so much time together. It's impossible for love, trust, and emotional attachment not to be developed throughout such a long time. So, while Little Rock's arc is understandable and relatable, Wichita and Columbus' lacks convincing arguments, in my opinion. Both make decisions too dumb for such intelligent characters, but I guess "that's love".
Once again, the technical features that defined the original so clearly are seamlessly employed in its sequel. Beautiful production design, cool soundtrack, fantastic application of practical effects and real sets, which nowadays are getting rarer. The slightly longer runtime still manages to carry a fast pace, which is always a good attribute, and it's packed with thrilling, hilarious, bloody action sequences. Amusing pop culture references, and the most significant moment of all: Double Tap has one of the best, if not THE best, mid-credits scene of the year! Don't you dare leave the theater, it's right at the beginning of the credits, so stay in your seat!
All in all, Zombieland: Double Tap pays a decent homage to the original zombie cult classic by getting everyone (cast and crew) back together, and delivering yet another entertaining flick. By maintaining the essence of the first film, Ruben Fleischer is able to capture the outstanding cast's chemistry, as well as present those amazingly entertaining action sequences. Even though the central narrative isn't as straightforward and interesting as in the original, it's still captivating enough for the audience to care about. There is an excessive amount of callbacks to classic catchphrases, rules, or moments, which shows a bit of a lack of imagination to create new material. While it's not as funny or entertaining as the 2009's movie, it's still a good time. If you're a fan of Zombieland, definitely watch it! If not, well… Nut up and watch it or shut up and let others enjoy it.
Rating: B _**Just as funny and irreverent as the original, even if it hits all the same beats**_
> _I'd rather die while I'm living than live while I'm dead._
- Jimmy Buffett; "Growing Older But Not Up" (1981)
The original _Zombieland_ (2009) was something of a sleeper hit, earning over $100 million against a $24 million budget, becoming the most financially successful zombie movie ever made, until it was surpassed by Marc Forster's asinine _World War Z_ (2013). Smart, funny, and self-aware, it didn't take itself too seriously, and it had bucket-loads of heart, but it was hardly a film crying out for a sequel. And as time passed, it seemed more and more unlikely such a sequel would happen. However, after a decade in development hell, _Zombieland: Double Tap_ has arrived, and boy is it one of the most unnecessary sequels I've seen in quite some time. However, as unnecessary as it is, it's also extremely enjoyable. It doesn't do a whole lot that wasn't in the original, but the irreverent sense of humour, fourth wall breaks, sharp character interactions, and, most importantly, shedloads of charm are all present and accounted for. Directed by Ruben Fleischer (who helmed the original) and written by Rhett Rees and Paul Wernick (who wrote the original), along with Dave Callaham, _Double Tap_ may not take too many risks, but it's a fine companion piece.
10 years after the events in the first film, the quartet is still together and still getting on one another's nerves – there's the neurotic but sweet Columbus (Jesse Eisenberg doing his Jessie Eisenberg thing), the crass but caring Tallahassee (a wonderfully acerbic Woody Harrelson), the sarcastic Wichita (a dead-pan Emma Stone) and the laidback Little Rock (Abigail Breslin doing a lot with the little she's given). As we meet them, they're in the process of taking up residence in the White House – Columbus and Wichita are still a couple, but recently, she's started to wonder if perhaps their relationship is more important to him than it is to her; Little Rock is now a young woman who resents the fact that Tallahassee still treats her like she's 11; and Tallahassee, for his part, hasn't changed an iota. After Columbus proposes to Wichita (using the Hope Diamond), she and Little Rock skip town, but she returns a month later, telling the others that Little Rock ditched her and headed to a supposed zombie-free commune. And so the trio reluctantly set out to find her. Along the way, we're introduced to Madison (Zoey Deutch, who completely steals the film), a millennial bimbo who's been holed up in walk-in freezer; Berkeley (Avan Jogia), a peace-loving hippie; Nevada (Rosario Dawson), a tough-as-nails Elvis aficionado; and Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch), who are eerily similar to Tallahassee and Columbus (the reveal of which was spoiled by the trailer). There's also a new breed of zombie, which is faster, stronger, and more intelligent than the regular kind, and which can only be killed with multiple head-shots.
And that's about it as far as the plot goes. The original film came at a time when the zombie genre was just starting to be taken more seriously – Danny Boyle's _28 Days Later_ and Juan Carlos Fresnadillo's _28 Weeks Later_ were released in 2002 and 2007, respectively, introducing all manner of innovations and turning many of the genre tropes on their head; Jaume Balagueró and Paco Plaza's _[•REC]_ films were released in 2007 and 2009, setting a new standard for found footage films; _The Walking Dead_ debuted in 2010, and for the first few seasons it was as well-reviewed a show as you could find (until it turned into repetitive self-parody). Zombies also featured heavily in video game franchises of the era, such as _Siren_ (2003), _Dead Rising_ (2006), _Dead Space_ (2008), and _Dead Island_ (2011). _Zombieland_ cared about none of that – it was, in fact, the inverse of such titles, a film that didn't take anything seriously, least of all itself.
With this in mind, although 10 years have passed and the landscape is very different, one of the sequel's most successful elements is that next to nothing has changed; in essence, it acknowledges the gap precisely by ignoring it. So, Columbus's opening voiceover specifically refers to the long break as he thanks us for choosing _Double Tap_ when there is such "_a wide choice of zombie entertainment_" and Madison tells Tallahassee his catchphrase is "_very 2009_", but the film as a whole feels as if it was shot immediately after the original. Of course, this is important insofar as in the universe of the franchise, the last decade has been very different to the last decade of our reality, so the filmmakers can't layer in too many contemporary references – although Columbus does mention how "_unrealistic_" _The Walking Dead_ comics are, there's a hilarious deconstruction of the concept of Uber, and there's a subtle allusion to Trump when Wichita sarcastically tells Tallassee he'd have brought "a real dignity" to the office of the presidency.
This factors into the performances as well, insofar as Columbus, Tallahassee, and Wichita are all broadly similar to how they were 10 years ago. Little Rock has changed significantly, but that's as much to do with the fact that she was a child in the original and is now a young woman. This lack of character development may sound like a bad thing, but really, the familiarity of the characters and their group dynamic has its own inherent charm, we welcome it because it's familiar, with the cast essentially doing the same things they did in the original. Speaking of performances, Zoey Deutch completely owns every scene she's in. Sure, the character is clichéd as all hell and, on paper, she should be all kinds of annoying, but that she isn't, is a testament to Deutch's warm performance, finding genuine pathos amidst the perpetually peppy and cheerful high-energy ditz. She also has great chemistry with the original cast, especially Harrelson. In fact, all of the new actors have terrific chemistry, which is nice to see insofar as effortless chemistry was one of the hallmarks of the original.
In terms of problems, as mentioned, the film doesn't do a whole lot that wasn't in the original – the characters are the same, the narrative beats are the same, the group dynamic is the same, the sense of humour is the same – and for some, this will certainly be an issue. Indeed, as much as I enjoyed the film, I would have liked to see it take more risks (there's certainly nothing here to rival the inspired Bill Murray cameo). Because of this blanket similarity, there is a sense in which the sequel isn't really its own thing, it's defined primarily by what the original did rather than forging its own path, and a lot of the meta-humour only works if you know the original. Another problem is that it fails to do much with an interesting set-up, which sees women chaffing against traditional gender roles and the identities conferred on them by men. Once the gang end up on the road, this theme is pretty much forgotten (even with the introduction of Nevada, who seems more like a man's idea of what a tough woman should be than her own person). There are also more than a few clichés, primarily in relation to Madison (as blond a character as you'll ever meet) and the one-note Berkeley (a weed-smoking gun-hating hippie, who is literally introduced by way of a sitar on the soundtrack).
_Zombieland: Double Tap_ is undemanding and doesn't completely justify its existence, but it also does justice to the original, and never for one second does it take itself seriously. The effortlessness with which it slots into the original's groove is either funny in its own right or poor writing, depending on your perspective, but the film is smart enough to know and acknowledge that it feels slightly out of place in 2019, in a way the 2009 original did not. And if a little of the spark has been lost, the warmth, the characters, the jokes, and the playfulness more than make up for it.
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Lucy Magyar cím (Korhatár): Lucy (12E) Lucy Eredeti cím: Lucy Lucy Műfaj: Action, Science Fiction Játékidő / Technikai információ: – perc Lucy Mozipremier : 29 May 19 8 7 Lucy Forgatókönyvíró: Luc Besson, Luc Besson, Éric Serra, Thierry Arbogast, Nathalie Chéron, Shannon Mills, Shannon Mills, Jean-Christophe Magnaud, Olivier Bériot, Hugues Tissandier Lucy Filmstúdió: EuropaCorp, Canal+, Ciné+, TF1 Films Production Lucy szereplők : Scarlett Johansson, Morgan Freeman, Choi Min-sik, Amr Waked, Julian Rhind-Tutt, Pilou Asbæk, Lio Tipton, Shin Yoo-ram, Seo Chong-ju, Nicolas Phongpheth
Lucy videa film letöltés 2014 néz online hd Lucy 2014 Teljes Film Online Magyarul A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Lucy streaming film online teljes hd Lucy 2014 review There is no excuse for basing a screenplay on taking seriously a well known urban myth and writing it as if the audience believes the myth.
Did no one up the entire production line step out and call bullshit on the discredited 'we only use 10% of our brain,' idea? I am so embarrassed by seeing actors I admire, Scarlett Johansson and Morgan Freeman, deliver solid performances on the basis of an idea at which most people laugh. I've also struggled to appreciate several o Luc Besson's movies but this is is by far the worst one.
A lot of jibber-jabber bullshit with sexy Scarlett Johansson, lots of FX, predictable ending in Paris and a pointless car race on its streets.
Better spend your time on something else ... Ignorance brings chaos, not knowledge.
Lucy is one of those films that brings about furious reactions, it is after all a science fiction type action thriller. They always divide film fans right from the off. It's a film that to all intents and purposes needs to be viewed just as a cinematic experience, as a piece of popcorn fodder that may try to be something more cerebral, but ultimately is a daft - but hugely fun - piece of film.
Luc Besson writes and directs a film that sees Scarlett Johansson duped into being a drug mule, with the transportation of drugs sewn into her abdomen. It's a new drug, boy is it a new drug, and when things go belly up and the drugs are unleashed into Scarlett's system, she's a threat - or hope - to mankind.
It can be, and has been, called pretentious et al, such is the science factor, which is perfectly understandable, so any hope of tight science fiction musings will only end up in a crushing disappointment. Undeniably Besson and his backers thought they had something to say, to open up the film watchers' minds to something deep and probable, to be relevant and viable. But unlike the makers we the viewers didn't have access to donepezil, so we sadly couldn't all turn into Bradley Cooper and be limitless in our viewing capabilities.
Personally, it's a rollicking fun film for two thirds, when it's about Scarlett kicking butt, a revenge driven babe, it grips and shakes all the genre compliant cinematic senses. The ending, the grand finale, infuriated me, and by the looks of Morgan Freeman (coasting for easy money), he was also a little frustrated. But I had fun, yet on the flip side if anyone fronted me up and said they hated the film with a passion? Then I would understand and take them home to play with my chemistry set. 7/10 A lot of people appears to have gotten into some hate-mode when watching this movie. I guess they did not check up what the movie was really about before watching it. The movie is not perfect, it has its flaws, but a 1 or 2 star bullshit rating is hugely unfair. Personally, I really liked this movie. It is science fiction, pure and simple. If you expect science without the fiction, well then you should go and see some other movie. With Luc Besson both writing and directing and statements like “merciless warrior evolved beyond human logic” in the blurb … well I got pretty much what I expected.
The movie starts off making you think it is a “simple” revenge story with science fiction elements in the form of the superhuman Lucy. However it gradually evolves into something else. Lucy knows that she cannot survive in her new state and it becomes a quest to preserve the knowledge that she has acquired while she still has the time and at the same time dodging the drug dealers that are the cause of her situation in the first place.
Lucy is great. Her powers and how they develop are awesome. I really like surprise effects in movies and books of the kind that you get when someone like Lucy reveals her powers to the “mundane”. Especially when the revealing means swatting a few bad guys. This movie is full of moments like that. It is quite a roller coaster ride of action with Lucy exhibiting her growing powers. Not too surprisingly the movie is also full of scientific bullshit and plot holes. I do not really care. I’m in for the ride and it is a fun ride.
Scarlett Johansson is very good in her role as Lucy. Most of the other actors are ok although the Asian drug boss could have been better. He came out more like a brainless thug than anything else. Certainly not as the mastermind of a criminal organization.
The ending was a bit unsatisfactory compared to the rest of the movie though. I was a bit disappointed that the big fight at the end more or less was done without Lucy. The long cinematic sequences where Lucy wondered about in time and space felt a bit like yawn-filler-material. The actual ending, well that “I am everywhere” bit was really been there, seen that, done that. Also, if she was indeed everywhere, why the hurry to create that fancy memory stick?
Anyway, apart from that I really enjoyed this movie. _**Time to GROW UP**_
"Lucy" (2014) is about an average hot babe named Lucy, played by Scarlett Johansson, who increasingly taps into her mind's full capacity and, consequently, acquires superhuman powers (or are they just fully-human powers?). She hooks up with the leading expert on the human mind (Morgan Freeman) to share her discoveries and also teams-up with a Paris police captain (Amr Waked) to destroy the malevolent schemes of an arrogant Asian mob boss (Min-sik Choi).
It should be emphasized that this is not comic book superhero movie (Don't we have enough of those yet?), it's an ordinary-person-reaching-full-human-potential movie. There were two of these in the mid-90s, "Powder" (1995) and "Phenomenon" (1996). They're both good, but the latter played it too safe, particularly at the end, while "Powder" reached for greatness and got a finger in. Francis Ford Coppola added his take on the genre with 2007's "Youth Without Youth," a dense film with many interesting elements; too bad he forgot to include an entertaining story.
"Lucy" is the best of these and is, in fact, one of my all-time favorite movies. "Lucy" includes the mindfood of Coppola's film, but doesn't forget to be entertaining. As such, the film mixes interesting, inspiring elements with thrills, action, eye candy and ear candy (a notable score). On top of this, "Lucy" is stylish and "hip," whatever that means; in other words, it's got pizzazz.
Some complain that the film is flawed because it's based on the notion that we only use 10% of our brain power, but this is only a plot device to illustrate that most people are functioning way under their potential and are obsessed with usually worthless things and blowing precious time accordingly. Take, for instance, the people who blow hour upon hour of valuable time watching sports. Viewing a game here or there is great, but these types have lost all sense of moderation. Or how about those who feel they have to numb themselves with alcohol or drugs just to have a good time? They're, in essence, running away from reality.
What's funny about this criticism that the film's based on humans only using 10% of their brain power is that, in most cases, the number's more like 1-2%. Lol, just kidding. (Or am I?)
In regards to Lucy's powers illustrated in the film, and the other films noted above, I've had my own run-ins with such phenomena. For instance, about seven years ago I was in bed having an intense dream when my wife burst into the room to wake me up. The smoke alarm outside the door was blaring like crazy, but there was no smoke or fire or heat. The potent energy evoked by my dream obviously set it off because, as soon as I awoke, it suddenly stopped. If there was any doubt, the same thing happened the next week. What can explain this except the untapped power of the mind and focused energy?
Another example comes to mind, albeit different: when I was around 8 years old my family and I were walking the trails of Theodore Wirth Park in Minneapolis when we came to the edge of a baseball field. As soon as we entered the outfield somehow I just knew that the current batter was going to hit the ball and it was going to hit me right in the face. I knew this but I didn't know how I knew it. I just knew. Next thing you know the batter hits the ball high into the air -- it was like slow-motion -- and it came and hit me right on the cheek! (Good thing it was a softball, huh?). How did I KNOW this was going to happen? I don't know, but it's pretty amazing and it shows the power of the mind and spirit to warn us, which some call intuition.
Less spectacular is something that I experience every day with my wife: One of us will be thinking something and give voice to it and the other says, "I was thinking the exact same thing." What's going on? We're picking up each other's immaterial thoughts, otherwise known as telepathy. What if we developed this further? Other paranormal phenomena featured in the story include psychokinesis, extraordinary empathy and what the Bible calls "the word of knowledge." Although they're exaggerated in the film, they're REAL.
"Lucy" is inspiring in that it's an encouragement to GROW UP. As Lucy evolves she stops at her apartment and runs into her roommate, who's the typical bimbo party girl who spends too much of her free time "partying" and pursuing a "cute guy with nice buns" (or however she puts it). Not that there's anything intrinsically wrong with these things, except that these people obsess over them and they become their PURPOSE for living. Whatever happened to "All things in moderation"? The beginning of the movie shows that Lucy was just like her roommate but something happened and... she GREW UP.
My praise of the movie's philosophical and theological ideas shouldn't be interpreted to mean that I agree with every jot and tittle. It's a sci-fi/thriller blockbuster, after all; it's just that this one has more interesting ideas than most. Secondly, who agrees with everyone about everything? Is that even healthy?
Needless to say, I love "Lucy"!
The film doesn't wear out its welcome at a mere 1 hour, 29 minutes, and was shot in Taiwan, France and a German airport.
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**X-Men: Days of Future Past** (rating: 4 ++)
**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?
In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.
That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.
As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.
**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.
With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.
The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.
The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.
**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”
Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition
The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.
Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.
Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.
**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.
One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.
**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities. Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always. This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.
The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.
Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.
Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.
I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.
Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.
Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.
Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars. ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this ***Focuses on the best characters and an interesting story***
"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.
This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.
The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).
The film runs 2 hours, 11 minutes and was shot in Québec, Canada.
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I still can't believe I'm about to write a review for The New Mutants... The last X-Men movie before they're introduced into the MCU became one of the most delayed films ever, but it finally got released this week. Shot in 2017 with an original release date of April 2018, Josh Boone had reshoots planned, which postponed the movie for the first time. Disney began negotiations to merge with 20th Century Fox (now 20th Century Studios), keeping the film in a limbo state. A global pandemic emerged, pushing the movie even further. Final outcome: a worldwide limited release three years after finishing shooting, and without any reshoots. So, obviously, my expectations were pretty low...
Surprise, surprise, The New Mutants isn't a horrible mess, it's... fine! I feel really sorry that so many people worked on this film and had to wait so long to see it being released to the world. I love how it's far from being just another generic, formulaic superhero flick. Sure, it has tons of cliches, and it does still feel like an X-Men movie at times, but I'll get there. I genuinely appreciate that Boone and Knate Lee wrote a narrative packed with significant and detailed character development, including a compelling romantic arc. Every young mutant gets their own story explained front-center. Each time the film dives into a character's past, it never feels like an irrelevant subplot. It all serves a purpose.
The technical crew had a very low budget to work with compared to other movies in the genre, so I must praise them for transforming a small, one-location film into something surprisingly entertaining. The visual effects definitely don't have that quality that viewers are used to seeing now, but they're reasonably okay for the most part. The horror atmosphere is definitely present, but it feels like the movie could have benefited from a more assertive, bolder approach to these nightmarish sequences. The best aspect of the whole film is related to the indisputably talented cast, with just one exception...
From Anya-Taylor Joy's rebel behavior to Charlie Heaton's experienced performance, passing through Maisie Williams' emotional display and Henry Zaga's charming one-liners, every one of these actors proves why they were cast in such a well-known franchise. Despite the ridiculously flawed accents, all share great chemistry between each other, including debutant Blu Hunt. However, the latter fails to be a compelling protagonist clearly due to her inexperience. I don't want to be too harsh on her because I did see some great moments when she shared the screen with her colleagues. However, I do need to state that every scene where she acts alone or against a green screen reaches cringe-worthy levels of bad acting.
Boone and/or the casting crew must also take responsibility for choosing her as the main character, but honestly, she's not even my main issue. That has to do with her own character. While she gets the same focus as her fellow mutants when it comes to her backstory, she never really has to deal with her powers' consequences. Some mutants hurt or killed people, and they're unquestionably damaged because of it. Dani doesn't have a single moment where she feels sorry for whatever happened in her past or where she's confronted with it. It's quite hard to connect with a protagonist when both the character and the actress playing her lack that captivating personality.
Finally, Alice Braga, as the doctor, is probably the most formulaic component of the movie. From the first conversation she has with the mutants, any viewer can guess where the story is going. Braga is good as Dr. Cecilia Reyes, but coincidentally or not, her character is the only one whose backstory wasn't remotely explored. Reyes' motivations and what lies beyond the hospital raise intriguing questions that, unfortunately, never get answered. Maybe the supposed reshoots could have solved some of these issues, perhaps they could have added some more. I don't know for sure, but what I do know is that The New Mutants is far from being an awful mess.
All in all, Josh Boone and Knate Lee deliver a reasonably entertaining screenplay out of the generic zone of the superhero genre, packed with detailed character development and decent horror sequences, especially having in mind the low budget. The New Mutants features a marvelous cast, where everyone shares tremendous chemistry with each other. All actors deliver great performances, except for the debutant Blu Hunt who unfortunately lets her inexperience overcome her evident potential. Contrasting with the overall character treatment, Dani Moonstar fails to be a compelling protagonist since she's barely shown having to deal with the emotional consequences of her powers like every other mutant does. Despite the refreshing take on the overall story, there are still a few cliches and formulaic components throughout the film, especially related to the hospital. Overall, it's surprisingly okay considering the numerous production issues, so I definitely recommend it at least just to say goodbye to the last X-Men installment pre-MCU.
Rating: B- Just like 'Dark Phoenix', Fox's greatest loss is Disney's greatest gain: even as 'The New Mutants' opened, the discussion was already focused on how Disney's MCU is bound to resuscitate 'X-Men'. That's a shame because Josh Boone's relic from a defunct franchise, unceremoniously dumped in cinemas in the middle of pandemic, was a step in a potentially interesting new direction. - Jake Watt
Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-new-mutants-an-enjoyably-small-scale-superheroic-character-piece The problem with The New Mutants is that it fails in so many different areas that's its difficult to pin point why it's such a bad movie. If you're a X-Man fan you'll be disappointed by the main characters mutations, if you're a thriller fan you'll be disappointed by the villain.
**When to watch:** The only scenario I would recommend you watch this movie is if you are die hard fan of one of the actors (Even still you might be disappointed)
**How to fix this movie:**
1. Replace the villain, stop trying to make this a weird horror crossover and focus on what made X-Man good to begin with. A PROPER VILLAIN. 2. Far to much focus on the poorly written backstory for each main character. 3. Make the Mutations better! The super powers should make the audience want to be them. 4. Cut the cheesy dialogue and pick a clear genre, this is a toss up between, Sci-Fi, Action, Horror, Romance, Cheesy B Level Movie. As both a horror and X-men fan, I was looking forward to this mashup since the first trailer dropped. Even recently with mostly bad reviews and press, I wanted to see it for myself.
And ... it pretty much sucked. That doesn't bode well for future work from Josh "The Fault in my Stars" Boone (e.g. "The Stand" mini-series.
We pretty much know the gist from the trailers. Young mutants are haunted/harassed by something in a mental hospital.
The best parts are pulled from the X-men series in which mutants first find out their powers, typically represented effectively on screen. Most times these scenes are fun, but the special effects are a mixed bag, jumping back and forth from decent to cheesy.
Most of the ensemble cast are relatively new up-and-coming stars such as Maise Williams ("Game of Thrones"), Anya Taylor-Joy ("The Witch/Queen's Gambit"), and Charlie Heaton ("Stranger Things") but the acting is mediocre, and worst of all, they butcher whatever accent they are supposed to have (Irish, Russian[?], and U.S. southern respectively).
And the story -- disappointing to say the least.
If you drop your expectations to a bad 90 minute "Buffy the Vampire" episode, then maybe you'll find something to like. Surprisingly great watch, will likely watch again, and do recommend.
My expectations of this one were rock bottom: I honestly didn't think much of the trailer. I thought they were ruining "The New Warriors", my mistake, and I didn't realize they gender bent a character I was already familiar with. (Moonstar is basically another guy character from "The Initiative" in Marvel Comcs)
What is really interesting, and NEVER ADDRESSED is what the facility is, who runs it, and what the point is. There just aren't answers to be had so simply during an uprising. Honestly worst part of the movie, but unless you're paying too much attention, you probably won't even notice.
The characters are deceptively interesting, to the point where I was actually surprised at certain points, but they are what makes the movie. The discovery of the characters, they're evolution as a team, and their personal struggles are what makes the movie great.
It is also FILLED with action after a certain point, beautifully rendered and weighted combat with something somewhat meaningful behind it.
If you're into super powered action on any level, then give this a watch.
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